Tenley Bick, “A History of Black Diaspora Artists in Italy." In The Routledge Companion to African Diaspora Art History, edited by Eddie Chambers (London and New York: Routledge, 2023) (chapter, forthcoming).

Tenley Bick, "'Un sentimento di libertà': Toward a Transnational Italian Art History," Forum Italicum, special issue, Transnational Italian Studies, eds. Serena Bassi, Loredana Polezzi, and Giulia Riccò (2023) (position essay, 2023). https://doi.org/10.1177/00145858231176752

Tenley Bick, “Postcolonial Retro-Futurism: Alessandro Ceresoli’s Linea Tagliero Prototypes.” International Yearbook of Futurism Studies 13, Neo-Futurism, edited by Günter Berghaus, Dalila Colucci and Tim Florian Klähn (2023): 315–45.

Tenley Bick, "Porta di Lampedusa, porta d'Europa: Contemporary Monumentality, Entropy, and Migration at the Gateway to Europe," in Migrants Shaping Europe, Past and Present: Multi-lingual Literatures, Arts and Cultures, edited by Helen Solterer and Vincent Joos, 131–166 (Manchester: Manchester University Press, 2022).

Tenley Bick, "Where There’s Everything: Pistoletto, the Gruppo d’arte ‘l’Arlecchino,’ and Localist Internationalism in Presenze," Word & Image 38, n. 2 (June 2022): 132–164.

Tenley Bick, "Towards a Transnational Italian Art History: A User's Guide," Italian Art Society Newsletter 33, no. 2, The Global Future of Italian Art History, ed. Livia Lupi (Spring 2022): 11–13. Refereed invited essay.

Alvin Curran and Tenley Bick, "Spontaneous funghi: Musica Elettronica Viva and Lo Zoo in Turin, 1968. An interview with Alvin Curran." Portable Gray 5, no. 1 (Spring 2022): 118–139.

Tenley Bick, "Kounellis, Graffiti, and Migration: Notes on Arte Povera in Miami," New Art Examiner (Jan/Feb/Mar 2022): http://www.newartexaminer.org/arte-povera.html. Print forthcoming. Exhibition review, Arte Povera / Postwar Italian Art from the Margulies Collection (October 20, 2021 – April 30, 2022), cur. Katherine Hinds, The Margulies Collection at the Warehouse, Miami, FL.

Tenley Bick, “Make It Shine (Extraordinary Things Are Possible Between Beings): The Art of Marinella Senatore / Make It Shine (Cose straordinarie sono possibili tra persone): l'Arte di Marinella Senatore," in Marinella Senatore: Make It Shine, 7–19 (Turin: Mazzoleni, 2022). Italian translation by Howard Rodger MacLean. Exh. cat. [Link]

Tenley Bick, "Bochner's Italian Picture," in Bochner Boetti Fontana (Cold Spring, NY: Magazzino Italian Art, 2021), 40–47. Exh. cat.

Tenley Bick, “Other Hues of Blue: A Pandemic-Era Biennial in Atlanta.” New Art Examiner 35, no. 3 (January/February/March 2021): 33–37. Exhibition review of the 2021 Atlanta Biennial, Of Care and Destruction (cur. Jordan Amirkhani, Atlanta Contemporary, Atlanta, Georgia)

Tenley Bick, "Ghosts for the Present: Countercultural Aesthetics and Postcoloniality for Contemporary Italy. The Work of Wu Ming 2 and Fare Ala," in Global Revolutionary Aesthetics and Politics after Paris '68, edited by William Cloonan, Barry Faulk, Martin Munro, and Christian Weber, 45–77. Lanham, MD: Lexington Books, 2021.

Tenley Bick, "'My world now is black in color': Pandemic-Era Programming, Activism, and Contemporary Art in Italy," CAA International News (Aug. 11, 2020): http://www.collegeart.org/news/2020/08/11/international-news-my-world-now-is-black-in-color-tenley-bick/.

Tenley Bick, “What Goes Around Comes Around: Myth and Male Trauma in Somali Diasporic Cinema." Third Text 33, no. 2 (2019): 153–177.

Tenley Bick, "Suspensions of Self-Perception: On Vision and Subjectivity in Contemporary Art." In Theorizing Visual Studies: Writing Through the Discipline, edited by James Elkins and Kristi McGuire, with Maureen Burns, Alicia Chester, and Joel Kuennen, 242–45. New York: Routledge, 2012.

Tenley Bick, "Horror Histories: Apartheid and the Abject Body in the Work of Jane Alexander," African Arts 43, no. 4 (Winter 2010): 30–41.

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